I have been talking about and thinking about haptics a lot lately. The whole ..way we feel and touch things and how computers and connected devices can make us feel things. My favorite example that I make everyone try is the iPhone 7’s home “button” it doesn’t move. But it 100% feels like it moves. (And maybe you’re a fancy person who doesn’t have this experience but I totally do.) It seems exactly like I’ve depressed it when I push on it. I has all the effects that you expect. And this is just a tiny tiny little bit of what is possible.
I am enthralled with what the potential future of it may be.
Here are some examples to prime your brain a little.
Haptics in clothes seems very likely. A jacket that gives you directions. A pair of pants that make you get up and move. And when you have multiple tools you have opportunities for clothes to give you feedback about you. What is your heart rate? Can your clothes help you calm down?
So what does the future look like when you wear a turtleneck and all your “speech” is subvocalizations and you “hear” through haptics, could the words be tapped onto your jaw? Do we find a world of silence? Do we get loud? Do we constantly feel like we are buzzing and thumping? We get phantom phone buzzes, will we get phantom haptics? What will we train ourselves to do without realizing it?
What happens if we start to really come to have a solid handle scientifically on who people who will commit crimes are? Who is recidivists? What the trends are? We are a very long way out from being exact. But we might be closer to knowing that someone’s brain has a tendency to quickly anger, to behave impulsively. We might know which brains are more antiauthoritarian, which are more likely to resist, to fight back.
Do we treat people differently? Do we treat? Do we jail? Do we protect people? Do we decide that it doesn’t matter what your intent was? Do we decide that’s all that matters?
What questions come to your mind when you read this? What futures do you see?
Jennifer Deese first officially joined the writing world and became a published author in 2013 with her inaugural novella, The Orchid Keeper. Miss Deese is fond of writing shorter stories versus full sized novels. Her first book will eventually be the prequel novella to a series of short books called The Osipian Chronicles. From childhood her mother has foster her imagination and love of reading…which Deese sees as the roots of her love for writing, especially fantasy. As a lover of nature it is not surprising that it tends to play a part in many of her writings. A mother and a Nana, Jennifer Deese looks forward to spending time with her loved ones. She resides in Pennsylvania with her two dogs and boyfriend James and his son.
Something I want to try to do more or be more transparent, or consistent about is …reviews. So my monthly review.
I wanted to try to get some stuff cleaned up, get back into writing more, and get sorted out what my next audiobook project was.
I did do more writing. I’ve been writing/rewriting/editing one of my Smoke Jumper novellas. It is actually going ok. Not perfect, but pretty well. I’m fading in and out on working on it, but I’m getting back into it. In a flash of rage I also wrote a flash fiction which is a phone call from the dystopian future to the present. Take the Call! (And make your own!)
Stuff cleaned up…eh. Not quite so good. I had delays here and there. Stress. Hiding. Too much news. Not enough news. Evenings writing to senators (thanks Amy and Al!) Then blog explosion. Then continued dealing with blog explosion. So basically? Excuses. I will buckle down on this again.
Next audiobook project. No. Frustratingly no. I’m holding out on picking up a project and waiting for the anthology pieces I’ve committed to to come in. I don’t want to be in the middle of something big and get those in. Plus I had 2 weekends that weren’t going to be good for recording. I do have a plan for the next few weekends on what I’ll be doing behind the mic (PODCAST! WOO! 600 Second Saga episodes!). But I still need to check in with people about other projects.
Other? Politics. News. End of the world. I keep bringing myself back to we are as humanity making progress, if we keep pulling toward the future we will keep making progress. Progress like longer life spans, fewer people dying in wars and murders, better health, better quality of life, etc. We are going the right direction, we just all need to keep moving toward the future which is awesome. Future good.
Clean up. I need to clean up my files. Now I need to clean up the website and the back-end structure. I need to clean up some stuff at home. Clean space, visually, physically, and digitally helps a lot. And things are hard so I need all the help pieces I can get.
Reach out to authors. Hi authors! If you’ve considered writing for 600 Second Saga, please do! Please contact me! Please ask questions, I’m happy to answer them. I don’t want anyone to hesitate because they think they can’t do it. I’m getting better (and growing well) reaching listeners but I still can do better, and want to do better reaching out to authors. So, you may see some of that coming up.
I’m also working on creating images to go with each of the podcast episodes. (And I’ll be trying to feature some of the highlights from season one with images too.) More visuals. Also to help me think more about doing a better job of getting onto “paper” what’s in my head as far as visuals go.
Write more! As usual, keep the momentum and build on it. Really dig into Stranded and hopefully finish it up, but even if I don’t, don’t stop working on it. I also plan to shift around when I do things to give myself the best time for writing rather than the best time for other things that don’t require my best brain. Restructuring time will be very good for writing and for helping keep my brain space clean too.
What is your review policy? When do you review what you do?
I wrote earlier this week about writing for my niece. The second piece of this is something I’ve been struggling with for a while.
I created a podcast. (You might have heard of it, 600 Second Saga.) This makes me a gatekeeper of sorts. Not a super fancy gate wearing gatekeepers (that’s what real gatekeepers do right? wear gates?) but one nonetheless.
I read a lot of other submission guidelines along the way to creating mine. Some of them said something about accepting or soliciting work for underrepresented groups. A few called out specific populations. Some didn’t. I thought, only a monster wouldn’t want that. Only a person who is a garbage person would need to even say that. Of course, I want a range of experiences and stories.
Not a monster
And then Trump got elected. On a wave of people who think that it is more important to have false change and loud shouting than to disavow actual Nazis. So…here we are today. I would like everyone who reads my blog, listens to the podcast, or reads my books to just know, of course, I’m not a monster. Just like the day after the election at work, even though I didn’t talk about it at all before directly, everyone knew how I felt. Because when someone needed to say, hey it’s not cool that we only have white dudes as avatars, that was me. When someone had to say it’s not ok to say that word/thing/etc it was usually me. And eventually, they just stopped saying them (around me at least). Because they just knew that about me.
I wish everyone here knew that I wasn’t a monster. And I wish that everyone felt free to say, hey! Not ok! Every time I said something out of line (if I do, please do, I try hard, but I screw up often).
So here I am. Saying I am not a monster. I do, of course, want work from underrepresented groups. Especially groups that are going to be feeling the pain the worst in the next few years. I want to help lift your voices. I want to do what I can. And that is the absolute bare minimum that any decent person should be doing.
I want work that is about being who you are. I want work that edges on political. (Not that I haven’t already got that, just wait for the inauguration day episode, which was written and recorded before election day.) I want work that doesn’t file off your edges.
I don’t get demographics on authors, but I know for a while I had more authors outside the US (this is the easiest demographic for me to keep track of, though I’m not 100%, but if your email is clearly outside the US I have a hint) than from inside, which is a good component. But I want to keep doing better.
What I think I can do is make this tiny little offer. If you think your voice isn’t welcomed, isn’t heard, and isn’t represented and you are struggling and aren’t sure if your story is a fit, or is ready, or you want feedback? Let me know. As long as it meets the other guidelines (link at the top but basically, ~1K, no swearing, sff) reference this post in your email, and I’ll do what I can to help, make suggestions, etc.
Formerly an astronomer and more recently a research project manager in the aerospace and defense industry, Vaughan Stanger now writes SF and fantasy fiction for a living. His stories have appeared in Daily Science Fiction, Abyss & Apex, Postscripts, Nature Futures and Interzone, amongst other noted magazines and anthologies. Like most writers, he’s working on a novel—and has been for many years. He also loves cats, thus further conforming to the cliché. Plus he’s still holding out for that holiday on the Moon he was promised in the dim and distant past. You can follow his writing adventures at http://www.vaughanstanger.com or @VaughanStanger.
Mileva Anastasiadou is a neurologist, living and working in Athens, Greece. Her work can be found in Ofi press magazine, Infective Ink, the Molotov Cocktail, Foliate Oak, HFC journal, Down in the Dirt, Minus paper, Massacre, Pendora, Maudlin house, Menacing Hedge, Scarlet Leaf Review, Nebula Rift, Idler, Litterateur online and soon in Midnight Circus, AntipodeanSF, Big Echo:Critical SF, the Ham, Blood and Thunder:Musings on the Art of Medicine, Hindered Souls, Sick Lit, the Potomac, Front Porch Review, Jellyfish Review and the Fear of Monkeys. Visit Mileva on Facebook
I read something a while ago that has been bubbling around in the back of my brain. I’ve read a lot about flash fiction and I’ve read a lot of flash fiction. I read something that said the person who wrote it assumed all flash fiction main characters were stand-ins for the authors.
I was stunned and confused. Was this person reading the same flash fiction I was?
I’ve read flash fiction with characters that have more depth than some of the epic novels I’ve read.
Writing flash fiction can feel like a way to just dash something off quickly. But great flash fiction evokes a lot of things in just a tiny little space. You are basically creating a world from white space.
I will say that I far prefer flash that is sci-fi and fantasy because it opens the world wide. The contemporary flash I’ve read does feel a little different, so maybe the person who thinks that all flash fiction main characters are author stand-ins.
Finding a way to develop a world with brush strokes that all draw your eye far beyond the edges of the canvas is the magic of flash fiction.
Thinking specifically about those main characters and how I build them.
Sometimes they are characters from larger stories. (An Axe is a great example of this in my work since I’ve been working on putting some more polish on the novella about that character.) Those stories are often small bites, more information of the character, side stories that didn’t belong in the book. I love doing these, they are fun, they let me explore other sides of a primary character. They give that character the chance to show other sides of themselves.
I don’t often run between a ton of POVs. My novels tend toward a single POV. Doing a flash fiction lets me explore what other characters are seeing. I often write these just as I’m doing planning work for the novels, I’ll write a handful of these for each of the characters to see what I’m thinking about them, most of these never make it past my drive, but sometimes I’ll really like one and clean it up well enough to send it off into the world. A Meditation was very much that. Jana was a character who was sort of a mash of things and I had done a couple of scenes with her separately. This flash came out of that. It was significantly rewritten, but it was partly about me learning who Jana was in the first round, and showing a little more of her in the final.
I listen to a lot of podcasts. I will often find bits of inspiration, a situation, a story, a news article. I’ll pause and let this play around in my head until I’ve got characters and situation developed. Most of the time this sort of dies on the vine. But sometimes these become stories.
Thinking back to writing my first stories, I’ve sort of always been a shorter fiction writer. At least I don’t recall a time I was a tome writer. So, I’m sure there was a time when I was doing a lot of that. I hope these days I don’t do that nearly so much. I think of parts of myself in some characters. But some are clearly someone else. The Thing About the Future? That’s a mash of a handful of people I know plus a few stereo types carved into an actual character. On Fire? That’s a few characters from books and a few heartbreaking true stories I read all mashed together and then carved and molded. But Relics? Yeah, there are shades of me in there I suppose. Discovery? Not really, but I had a couple of people I know in mind, if you take this from that person and this from that person and yeah that person hates science (don’t ask me, I don’t get it) but that part.
So maybe sometimes there is shades of the author, but I think that good flash fiction is like all other fiction. Sometimes there will be shades of an author just like there are shades of people they know or celebrities or the personality test they took for a character. It is always a mash, carved and molded to be a unique character.
I’ve read flash fiction that doesn’t have people/aliens/monsters/ghosts as characters at all. Environment only. Or beautiful descriptions of ships. Or processes. I suppose you would argue that the author as the person who decides what to show you is the main character. But then you’re really saying that the author is always the main character in a way that is sort of no longer worth talking about. You literally can’t create anything without being the main character in that way. So it doesn’t really seem relevant. So sometimes there is no main character.
This all makes me want to read more flash fiction though.
Lots of good things! A book (a novella really) comes out on Friday and I got my iPad Pro.
I love it. Oh it is so nice. I have a few small things to work out still. But I can do all the updates for what happens after an episode goes live on the iPad Pro. This means I don’t have to be at home every single Friday night. I have to be at a connection to do all the “It’s Now Live!” stuff. The keyboard is great. The pencil is super natural. I keep sticking it in my hair and grabbing it out which it does well. It is smooth and a great weight.
It has all the features that I wanted, I’ve got a lot of things installed. I really feel like I’ve got it set up well. I still might have to reorganize the screens a bit to make it feel natural for what each screen is for. It works well to write in the spots I need to write. I can post and social media and all the things.
I still of course need the workhorse to record and edit the podcasts, but I can manage the rest from the iPad Pro.
And I got a fancy decal and case with the 600 Second Saga logo!
Book: Oak Stream Hollow
It officially releases on Friday, and there will be a podcast episode as well. But it is out early in audiobook so you can check it out on Audible now. If you’d prefer ebook format your usual purveyors like Amazon should all have it for preorder now.
Heather lost her job, her house is in foreclosure. All she needs now is a huge medical bill. But when Heather finds herself transforming, will she find anything in the world worth keeping?
This urban fantasy novella was a lot of fun to write. It is a single stand alone novella. Not one of a series (which I also enjoy and will have some of coming out next year) or something that will be a novella companion to a novel (which I’m going to hopefully have in an anthology later this year). But just a story. I like stories. I like telling a wide range of them and sometimes that means letting a story be over. Sometimes that means digging deeper and deeper into the world. I hope if you pick up Oak Stream Hollow you enjoy reading (or listening!) as much as I enjoyed writing.